IF THERE is anything optimistic about the notorious incident of the TV show “Willing Willie,” it is that the reactions show the influence of arts and media, predominantly TV, in moulding civilization. It is lucky that the dialogue has extended to the artist’s accountability on substance. Truthfully, artists and writers have much to do with what is exposed on TV.
On the other hand, the big media outfits are private companies, and as a result their base line is revenue. TV is liberated not because media companies are charitable, but more so for the reason that they bring in container of cash from the shows’ business supporter. In many instances, the proprietors’ attention interconnects with companies producing end user products and services.
TV is showered with commercial ads of commodities that people buy. This is in line with the enriching outline of globalization, which is the promotion of the liberated market principles. Aside from turning people into insatiable customers, this thought endorses the way of life of independence.
That is why shows are supplied with love stories spinning around couples and the characters around them. It overlooks society’s money-making and public circumstances, which have much to do with persuasions and choices concerning the identity.
Similarly, plenty of fairy-tales are about superheroes, to where the other characters seek redemption. In veracity TV, this includes game shows which give confidence to look for deliverance from bonuses that come with chance. Very exceptional do subjects’ thread through story lines that involved workers’ plights and issues based on significant judgment, and their struggles and triumph based on controlled activities.
The leading financial forces direct conventional cultural trends to serve their welfare. Acknowledging arts and media as a cultural means is recognizing its exercise not only in creative use but as a political one as well. Artists and writers have indeed an important function in altering civilization.
